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Caring for the relational city

  • Publish On 25 February 2021
  • Michel Lussault
  • 5 minutes

Geographer and Director of the École Urbaine de Lyon, Michel Lussault brings attention back to the forefront of urban planning, via the One Health concept. He thinks through the pandemic, which accelerated the dematerialization of human interactions, inviting us to ponder which relations should absolutely be protected.

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Vidéo

Culture as a weapon

Björn Geldhof

Vidéo

Culture as a weapon

In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.  

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Podcast

“ Artificial intelligence is revolutionizing our relation to history, giving us access to previously indecipherable archives. ”

Using AI to tell history

Raphaël Doan

Podcast

“ Artificial intelligence is revolutionizing our relation to history, giving us access to previously indecipherable archives. ”

Using AI to tell history

On February 10 and 11, France hosted the Summit for Action on Artificial Intelligence, bringing together international companies and heads of state to identify the potential and limits (notably environmental) of this tool. This is an opportunity for us to discuss the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts. Read here the transcription of our interview with Raphaël Doan

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Vidéo

"For an open architecture"

Jean-Baptiste de Froment

Vidéo

"For an open architecture"

On the occasion of its integration into the Paris Sciences et Lettres (PSL) university consortium, the École nationale supérieure d’architecture de Paris-Malaquais is publishing a manifesto that asserts its institutional positioning. Far more than a mere text, this manifesto lays the foundations for a committed academic vision, emphasizing the urgent need to train architects engaged in transforming the ways we inhabit the world. Structured around twelve key concepts, it is intended as a compass to guide the school’s pedagogical and strategic choices, in alignment with the 2025–2029 National Strategy for Architecture. In this interview, its director, Jean-Baptiste de Froment, reflects on the values driving this project and on how the school positions itself as a proactive agent of thought and action within the contemporary architectural landscape.

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Vidéo

Bringing together an architectural project and a collection project 

Philippe Chiambaretta, Nicolas Bourriaud

Vidéo

Bringing together an architectural project and a collection project 

L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.

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Article

Podcast transcription: Raphaëlle Guidée

Raphaëlle Guidée

Article

Podcast transcription: Raphaëlle Guidée

Raphaëlle Guidée is a specialist in narrative representations of economic, environmental and societal collapse. For over 10 years, she has analyzed the narratives surrounding Detroit’s bankruptcy in order to understand how an apparent ruin of capitalism can inspire discourses of domination or resistance. In La ville d’après : Détroit, une enquête narrative [The Aftermath City: Detroit, a narrative investigation] (Flammarion), rather than focusing on fictions, she seeks out testimonies and concrete stories, believing that modern times don’t need new narratives. We simply need alternative narratives. Read the transcription of her podcast below.

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Article

The potential of the night

PCA-STREAM

Article

The potential of the night

Once a sanctuary for dreams and imagination, nighttime has now been relegated to the mere role of a utilitarian prelude to daytime. Nocturnal realms possess an alchemical power capable of transfiguring our perceptions. However, when viewed through the lens of urban uses, the night also exacerbates inequalities and raises questions about the possibility of achieving an urban night that is accessible to everyone. Exploring the range of possibilities associated with the night reveals it as a space-time where complex interactions are woven that could be revitalized through a chronotopic and inclusive architecture.

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Podcast

“ En architecture, le sonore demeure une dimension à la fois floue et insaisissable. Il échappe au dessin et au plan, et pourtant, c’est lui qui fait vibrer l’espace, qui le rend habitable et mémorable.  ”

Sound, the Great Forgotten Dimension of Architectural Practice

Carlotta Daro

Podcast

“ En architecture, le sonore demeure une dimension à la fois floue et insaisissable. Il échappe au dessin et au plan, et pourtant, c’est lui qui fait vibrer l’espace, qui le rend habitable et mémorable.  ”

Sound, the Great Forgotten Dimension of Architectural Practice

Carlotta Daro co-led, together with Nicolas Tixier, the Radio Utopia project that animated the French Pavilion at the Venice Biennale in 2023. She is now part of the Gramazio Kohler research group, which focuses on the contribution of digital technologies and new materials to architectural design. There, she leads a research project dedicated to developing virtual reality tools enriched with acoustic simulations, designed to support architects throughout their creative process. This work paves the way for a constructive approach in which sound—too often considered primarily as a nuisance—moves beyond measurement and mitigation to become a perceptual and experiential factor.

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Article

Reshaping myths to reveal pressing realities

Ashfika Rahman

Article

Reshaping myths to reveal pressing realities

Ashfika Rahman is a visual artist based in Bangladesh, who recently won the Future Generation Art Prize awarded by the PinchukArtCentre in Ukraine. Faced with the overwhelming power of information systems that are serving dominant narratives, she is working on creating alternative medium of expression, giving their voice back to marginalized communities in her homeland, particularly women. Through her art, Rahman questions myths, folk tales and widely spread prejudice that are still shaping our cultures and legitimating violence, adopting a contemporary and feminist lense. We met with her to discuss her recent work, Behula These Days where she brings together ancient crafts and new techniques to share the poignant and heart-wrenching experiences of women living in one of the most floodprone areas in Bangladesh.

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