Producing Architecture

  • Publish On 11 January 2017
  • Bertrand Julien-Laferrière

What is the impact of current economic transformations (the financialization and the acceleration of the economy, the increasing value of intangible assets) on the way architecture is produced? In only ten years, a massive influx of private capital has transformed existing buildings into fast-moving liquid financial assets. On the contrary, the production process of new projects has slowed down considerably and become much more complex, all the while the resources of the government and local authorities are dwindling. As a result, a process of devolution and transfer of architectural production to the private sector is occurring, and it is probably irreversible. In France, cultural and architectural needs were seen as being legitimately addressed only by public contracts due to the country’s Jacobin tradition (i.e., a centralized State tradition). Private commissions must gradually emancipate from the tutelage of the public sector; to achieve this, private decision-makers must increase their knowledge of architecture and architects and understand that design is at the heart of the process of value creation.

Bertrand Julien-Laferrière graduated from École Centrale, Paris, University of California, Berkeley, and Insead. He is Head of Real Estate at Ardian, a leading Alternative Asset Manager in Europe.

How does time impact architectural production and quality? How are production processes and organization models adapting to the acceleration of time and will they eventually influence the architectural product? What are the cultural and professional responses to this paradoxical situation of having to manage an increasingly complex context against a backdrop of accelerating consumption and information? How can development approaches be made sustainable when the Zeitgeist is to network dissemination?

Architecture, in between finance and politics

Today, we find that production times in our Western societies tend to become longer and longer: the administrative and regulatory framework is expanding due to the concern of better protecting citizens, the city, democracy, and the planet. The discussions on participation, the stages of consultation, the influence of community associations and lobbies increasingly mark the production process of urban design and construction. Electoral deadlines make the launch of major operations either possible or impossible even though politics should be concerned with the public interest on the long run, going well beyond political timing considerations.

Local authorities set the pace of urban developments; urban authorities and their technical departments undertake to control the development of supply and sometimes even to regulate the market. They aim to develop their urban spaces and, at the same time, to control them.

At the same time, money flows ever more rapidly, and buildings that had had one, or possibly two, owners over one hundred years, are now changing hands several times in a single decade.

Investment funds, with their ever higher financial resources, form and dissolve, invest in a country or another, in an asset class or another, move the sliders of time to suit their cash-flow simulations and return on investment calculations.

Bibliography

explore

Podcast

“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”

Podcast

“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”


Architecture is a political practice

Manuel Bello Marcano is an architect, lecturer at ENSA Saint-Etienne and sociologist of the imaginary at the Centre d’études pour l’actuel et le quotidien – CEAQ, Université Paris Descartes (Center for Current and Everyday Studies at Paris Descartes University). In his view, architecture is an act of aggregation designed to put the world in order: in this sense, he is interested in the political fictions mobilized to equip our thinking and, in this case, to build a “ togetherness ”. Follow his words and discover animality understood as community.

Discover
Article

Capturing the Cityscape Through Photography

Émilie d'Orgeix, Corinne Feïss-Jehel, Pierre-Jérôme Jehel

Article

Capturing the Cityscape Through Photography

Over the span of several months, students from GOBELINS Paris scouted La Défense, examining the iconic business district from the fresh perspective of urban metabolism. As part of a documentary workshop led by Pierre-Jérôme Jehel and Laetitia Guillemin (GOBELINS) and designed in partnership with researchers from the City-Metabolism Chair at PSL University, some thirty students explored this territory. They did so by treating it not as a mere backdrop but as a living organism, traversed by flows, tensions, and rhythms, using photography as a tool for revelation. Their projects, located at the crossroads of artistic creation and research, unveil an alternative reading of this mineral space, between invisible flows and underlying tensions. Both sensitive and rigorous, this inquiry is chronicled here by Corinne Feïss Jehel (EPHE-PSL), Pierre-Jérôme Jehel, and Émilie d’Orgeix (EPHE-PSL) as part of a research project conducted by the City-Metabolism Chair (which is financially supported by PCA-STREAM, Artelia, and Groupama Immobilier).

Discover
Vidéo

Björn Geldhof

Vidéo

Culture as a weapon

In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.  

Discover
Article
Article

Using AI to tell history — podcast transcription

Read our discussion on the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts.

Discover
Vidéo
Vidéo

Bringing together an architectural project and a collection project 

L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.

Discover
Podcast

“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”

Podcast

“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”


Can new narratives arise from ruins?

Raphaëlle Guidée is a specialist in narrative representations of economic, environmental and societal collapse. For over 10 years, she has analyzed the narratives surrounding Detroit’s bankruptcy in order to understand how an apparent ruin of capitalism can inspire discourses of domination or resistance. In La ville d’après : Détroit, une enquête narrative [The Aftermath City: Detroit, a narrative investigation] (Flammarion), rather than focusing on fictions, she seeks out testimonies and concrete stories, believing that modern times don’t need new narratives. We simply need alternative narratives. Read the transcription of the podcast.

Discover
Article
Article

Podcast transcription: Raphaëlle Guidée

Raphaëlle Guidée is a specialist in narrative representations of economic, environmental and societal collapse. For over 10 years, she has analyzed the narratives surrounding Detroit’s bankruptcy in order to understand how an apparent ruin of capitalism can inspire discourses of domination or resistance. In La ville d’après : Détroit, une enquête narrative [The Aftermath City: Detroit, a narrative investigation] (Flammarion), rather than focusing on fictions, she seeks out testimonies and concrete stories, believing that modern times don’t need new narratives. We simply need alternative narratives. Read the transcription of her podcast below.

Discover
Vidéo
Vidéo

Beautiful like an encounter on the glass roof of colored clouds

For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.

Discover