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Metal

  • Publish On 24 May 2024
  • Antonin Yuji Maeno, Manon Leconte, Patrick Le Pense, Cyrille Terrolles
  • 93 minutes

A symbol of the industrial revolution, the rise of metal in construction accompanied the renewal of Paris under Haussmann. Its origins in blast furnaces is associated with a high carbon footprint. Yet it is still widely used in facades, and seems promising for circular economy, as it is easy to dismantle. But is this enough of an advantage?
As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.

 

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Reshaping myths to reveal pressing realities

Ashfika Rahman is a visual artist based in Bangladesh, who recently won the Future Generation Art Prize awarded by the PinchukArtCentre in Ukraine. Faced with the overwhelming power of information systems that are serving dominant narratives, she is working on creating alternative medium of expression, giving their voice back to marginalized communities in her homeland, particularly women. Through her art, Rahman questions myths, folk tales and widely spread prejudice that are still shaping our cultures and legitimating violence, adopting a contemporary and feminist lense. We met with her to discuss her recent work, Behula These Days where she brings together ancient crafts and new techniques to share the poignant and heart-wrenching experiences of women living in one of the most floodprone areas in Bangladesh.

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Using AI to tell history — podcast transcription

Raphaël Doan

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Using AI to tell history — podcast transcription

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Bringing together an architectural project and a collection project 

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Bringing together an architectural project and a collection project 

L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.

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Podcast transcription: Raphaëlle Guidée

Raphaëlle Guidée

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Podcast transcription: Raphaëlle Guidée

Raphaëlle Guidée is a specialist in narrative representations of economic, environmental and societal collapse. For over 10 years, she has analyzed the narratives surrounding Detroit’s bankruptcy in order to understand how an apparent ruin of capitalism can inspire discourses of domination or resistance. In La ville d’après : Détroit, une enquête narrative [The Aftermath City: Detroit, a narrative investigation] (Flammarion), rather than focusing on fictions, she seeks out testimonies and concrete stories, believing that modern times don’t need new narratives. We simply need alternative narratives. Read the transcription of her podcast below.

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“ En architecture, le sonore demeure une dimension à la fois floue et insaisissable. Il échappe au dessin et au plan, et pourtant, c’est lui qui fait vibrer l’espace, qui le rend habitable et mémorable.  ”

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Sound, the Great Forgotten Dimension of Architectural Practice

Carlotta Daro co-led, together with Nicolas Tixier, the Radio Utopia project that animated the French Pavilion at the Venice Biennale in 2023. She is now part of the Gramazio Kohler research group, which focuses on the contribution of digital technologies and new materials to architectural design. There, she leads a research project dedicated to developing virtual reality tools enriched with acoustic simulations, designed to support architects throughout their creative process. This work paves the way for a constructive approach in which sound—too often considered primarily as a nuisance—moves beyond measurement and mitigation to become a perceptual and experiential factor.

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“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”

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“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”

Can new narratives arise from ruins?

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“ Artificial intelligence is revolutionizing our relation to history, giving us access to previously indecipherable archives. ”

Using AI to tell history

Raphaël Doan

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“ Artificial intelligence is revolutionizing our relation to history, giving us access to previously indecipherable archives. ”

Using AI to tell history

On February 10 and 11, France hosted the Summit for Action on Artificial Intelligence, bringing together international companies and heads of state to identify the potential and limits (notably environmental) of this tool. This is an opportunity for us to discuss the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts. Read here the transcription of our interview with Raphaël Doan

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