Augustin Berque

Augustin Berque is a geographer and orientalist, former director of studies at the École des Hautes Études en Sciences Sociales. His teaching focuses on mesology, that is to say, the study of environments, in the wake of the Uexküll Umweltlehre and the Watsuji fûdo. He is the author of many founding works such as Le Sauvage et l’artifice, les Japonais devant la nature (Gallimard, 1997), Médiance, de milieux en paysages (Belin/Reclus, 1990) and Écoumène, introduction à l’étude des milieux humains (2000, Belin)

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Augustin Berque

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From "Mediance" to Places

Augustin Berque is a geographer and Orientalist, and a retired director of studies at the School for Advanced Studies in the Social Sciences (EHESS). His teaching focuses on mesology—that is, the study of “milieus,” in line with Jakob von Uexküll’s Umweltlehre and Watsuji Tetsuro’s fūdoron. In this interview, he draws on his understanding of Japanese culture to outline his vision of the “milieu”.

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From "Mediance" to Places

Augustin Berque

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From "Mediance" to Places

The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.

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