Are we in the midst of monetizing nature?

  • Publish On 15 October 2022
  • Virginie Maris
  • 6 minutes

Virginie Maris is an environmental philosopher. In Nature à vendre – les limites des services écosystémiques (Nature for Sale – The Limits of Ecosystem Services), she questions the relevance of monetary valuation of services rendered by nature. 
You would never calculate how much your relationship brings you, so why do it with nature? 

Extract from the article Considering Separation Beyond Dualism, published in Stream 05: New Intelligences

Could we imagine escaping from a utilitarian vision of nature, responsible for the crisis that we are undergoing? For example, the notion of ecosystem services is now widely used, although some people consider it to be a “commodification of nature”.
 
Ecosystem services collect together all of the benefits that human beings and societies derive from the functioning of ecosystems. Following the report by the Millennium Ecosystem Assessment, we can identify three major categories: supply services, i.e. all of the planet’s renewable resources like agricultural, forestry, and fishing resources, etc. ; regulatory services, a conceptual novelty, that concerns the functions of ecosystems that we benefit if from without being aware of it, through the recycling of carbon, water, nutrients, but also predation, pollination and cool zones; finally cultural services, the immaterial benefits of nature that we enjoy, like recreational, scientific and educational services, attachment to place, cultural identification, and even spiritual and moral values. I do think that this third category can absolutely not be described as a service, nor can it be reduced to the notion of benefit. It is a cultural or relational value that directly impacts human beings, their identities, their interests and their well-being in a much more constructive fashion than simple benefits.
 
If we only consider the first two categories, we can criticize the notion of ecosystem services for employing a kind of lexical mimicry of the world of economics. This term actually emerges from a desire to adopt the language of “deciders”, with a desire to make protecting nature a part of political agendas, that the ecologists of the last decade of the 20th century assumed were heavily influenced by economic agendas. The risk of commodifying nature does not actually come from this approach in itself, but rather from the economical evaluation of ecosystem services. These evaluations can be quite telling, and even useful from an “educational” point of view, I am thinking in particular of the famous study Changes in the global value of ecosystem services Costanza et al. 1997; Costanza et al. 2014, that in 1997 revealed that the totality of ecosystem services that nature provides us for free represents three times the global GDP measured in dollars; this continues to raise certain questions but a number of works refuse to invoke them.
 
To illustrate the problems that this poses, take the example of the city of New York. In the beginning of the 1980s, the city conducted an evaluation of the economic value of conserving the drainage basin of the Hudson in the Catskill Mountains. It was shown that maintaining these mountains in good ecological and hydrological condition was much more profitable than investing in water treatment plants to maintain a high quality of water. But the same evaluation redone in 2008, in the context of a financial crisis, with a drop in the cost of labor and technological tools, showed on the contrary that it had become more profitable to build water treatment plants rather than investing in the preservation of ecosystems… These methodologies of cost assessment can then stimulate public debate and participate in decision making, but they should not be the only element on which to base decisions, as they are debatable thanks to their temporal instability and dependence on context. These tools can be mobilized in certain specific cases, but they cannot condense the complexity of nature.
 
On a more fundamental level, the question of economic efficiency, part of an ideology of growth, appears to me to be at odds with the construction of a less toxic, less violent and less extractivist relationship with nature.
 
This involves thinking that the value of all things is solely economic. Is it not underestimating the deep value of nature?
 
Looking at nature uniquely through the prism of ecosystem services is the same as evaluating the value of a sentimental relationship based on a cost-benefit analysis: rent divided in half, sessions with a psychiatrist avoided, telephone fees generated…This calculation indicates the costs and benefits of a relationship, but in no way represents the true value of what it means to us. What is more, adopting such an approach risks adding a filter of accounting to one’s perception of a relationship, diminishing a partner’s ability to commit to it. Similarly, ecosystem services generate a flagrant under-evaluation of the profound value of nature by basing their approach on circumstantial data, which is of little value when it comes to considering its worth. The commodification that you’re talking about exists more on a symbolic level, one that implies considering nature as nothing more than a simple resource. For me the principal risk lies in our reduced capacity to be moved and to appreciate things for their intrinsic value. Like the example of the sentimental relationship, it is possible that the deep, authentic and disinterested values that connect us to the natural world will gradually fade to the point of disappearing.
 
Neither dualism, nor ecosystem services reveal a constitutive approach of the human being. They are complex constructions and systems that drag us both individually and collectively into a deadly relationship with the living. Not being a misanthrope, I don’t believe that other human beings are genetically programmed to be terrible torturers, dominators and predators; the issue today is then to revive our capacity for wonder, for interaction and for concern, in the sense of care, rather than holding back or letting these things peter out. This plays out on a philosophical and also political level, on the scale of the city, in the way we open cities up to nature and how we think about travel. It is up to each of us to rehabilitate this capacity that lies within us to care for others, and this includes non-humans.

Bibliography

explore

Vidéo

Justine Emard, Nicolas Bourriaud, Pierre Pauze

Vidéo

Artificial Intelligence in the creation process

AI is a new form of intelligence whose development is stirring up concerns and dystopian fables. Far from replacing human intelligence, AIs are emerging as new tools to be trained, controlled and shaped to achieve the desired result. For the artist, photographer, architect, film-maker, musician or illustrator, AIs become an agent with which to collaborate, resulting in co-creation. Inaugural lecture of the “AI and Creation” series at the Stream Innovation Center.

Discover
Podcast

“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”

Paris at 50°C

Alexandre Florentin

Podcast

“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”


Paris at 50°C

Our dense, mineral-rich capital is ill-suited to the extreme heat we’ll increasingly have to cope with. So what adaptation strategies can we implement? This is what we asked to Alexandre Florentin, Paris councillor responsible for resilience and climate issues. He chaired the “Paris at 50 degrees” mission, which delivered its report a few months ago: what fields of action for architects and urban designers?

Discover
Vidéo
Vidéo

The art of artificial life

Justine Emard is a visual artist. Her installations use AI to understand the living, exploring the boundaries between organic life and artificial intelligence. Bee swarms, encephalographic recordings and prehistoric paintings become learning supports for algorithms that, contrary to dystopian imaginations, generate new supra-hyper-organisms.

Discover
Podcast

“ Bringing the artist back at the heart of the city. ”

Podcast

“ Bringing the artist back at the heart of the city. ”


Story-telling as a meta skill

Claudia Ferrazzi, former government advisor on culture and audiovisual affairs, aims to put the artist back at the heart of the city by bringing together disciplines and industries. Founder of VIARTE, she uses art to support the implementation of new management methods. By adopting a narrative rather than a medium-based approach, she seeks to build bridges between the corporate world and artistic practice.

Discover
Vidéo
Vidéo

Which architecture for the ephemeral?

Eric Mangion has been director since 2006, after managing the Frac Provence-Alpes-Côte d’Azur from 1993 to 2005. His research has long been focused on the artistic gesture of disappearance – in all its forms, from the alteration of the work to the disappearance of the artist. At the Villa Arson, he develops a program around ephemeral practices.  He develops here the link between his research topics – the disappearance, the ephemeral, in the art and more generally, in the culture – and the evolution of the architecture.

Discover
Article
Article

Exploring methodologies to understand the living city

Theoretical experiments around the concept of the “metabolic-city” place living organisms at the heart of a new paradigm, encouraging a systemic approach. In urban and architectural practice, what tools are available to measure metabolism? Pauline Detavernier, Doctor in Architecture and Research and Development Project Manager at PCA-STREAM, examines existing measures of the life cycle and urban metabolism to outline a methodology.

Discover
Article
Article

Experimenting with environmental art

Using scientific facts as artistic material, Dutch artist Thijs Biersterker seeks to emotionally connect the public to global questions, to inspire a desire to take action. He uses technology, in particular AI, as a medium. His immersive installations highlight the intelligence and communication systems of plants: thus creating a bridge between living beings.

Discover
Vidéo
Vidéo

Nose to nose with the world

Never once has Sissel Tolaas, Norwegian artist, chemist, linguist and researcher, uttered the word “perfume”. For the past twenty-five years, she has been collecting, inventing and breathing new life into smells, refusing to be part of the world’s aseptisation. Through her olfactory installations, she invites us to sense reality, its geography and its temporality. Most recently, she has recreated the smell of Pompeii, between sensory experience and memory of the past.

Discover