Perspectives

  • Publish On 5 July 2024
  • Liliana Doganova, Mathieu Arnoux, Vincent Charlet, Isabelle Bensidoun
  • 75 minutes

Mathieu Arnoux, Professor at the University of Paris and Director of Studies at the EHESS, Isabelle Bensidoun, economist at the CEPII, Vincent Charlet, economist and founder of the Fabrique de l’Industrie and Liliana Doganova, sociologist and researcher at the CSI des Mines de Paris.

This concluding conference looks at the social and economic dynamics associated with the exploitation of materials on a national and global scale. The war in Ukraine has revealed our dependence on our neighbours and reopened questions of sovereignty and self-sufficiency. France has been less affected by the Russian gas embargo than Germany, but the transition to renewable energies will not happen without the rare earths that we import mainly from China. The limits of globalisation seem to have been reached. What does this mean for our industry, our sectors and our economic policy? What role will the markets play, particularly the carbon market, in encouraging national and European materials?

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Reshaping myths to reveal pressing realities

Ashfika Rahman is a visual artist based in Bangladesh, who recently won the Future Generation Art Prize awarded by the PinchukArtCentre in Ukraine. Faced with the overwhelming power of information systems that are serving dominant narratives, she is working on creating alternative medium of expression, giving their voice back to marginalized communities in her homeland, particularly women. Through her art, Rahman questions myths, folk tales and widely spread prejudice that are still shaping our cultures and legitimating violence, adopting a contemporary and feminist lense. We met with her to discuss her recent work, Behula These Days where she brings together ancient crafts and new techniques to share the poignant and heart-wrenching experiences of women living in one of the most floodprone areas in Bangladesh.

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Vidéo
Vidéo

Bringing together an architectural project and a collection project 

L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.

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Article

Capturing the Cityscape Through Photography

Émilie d'Orgeix, Corinne Feïss-Jehel, Pierre-Jérôme Jehel

Article

Capturing the Cityscape Through Photography

Over the span of several months, students from GOBELINS Paris scouted La Défense, examining the iconic business district from the fresh perspective of urban metabolism. As part of a documentary workshop led by Pierre-Jérôme Jehel and Laetitia Guillemin (GOBELINS) and designed in partnership with researchers from the City-Metabolism Chair at PSL University, some thirty students explored this territory. They did so by treating it not as a mere backdrop but as a living organism, traversed by flows, tensions, and rhythms, using photography as a tool for revelation. Their projects, located at the crossroads of artistic creation and research, unveil an alternative reading of this mineral space, between invisible flows and underlying tensions. Both sensitive and rigorous, this inquiry is chronicled here by Corinne Feïss Jehel (EPHE-PSL), Pierre-Jérôme Jehel, and Émilie d’Orgeix (EPHE-PSL) as part of a research project conducted by the City-Metabolism Chair (which is financially supported by PCA-STREAM, Artelia, and Groupama Immobilier).

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Podcast

“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”

Podcast

“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”


Architecture is a political practice

Manuel Bello Marcano is an architect, lecturer at ENSA Saint-Etienne and sociologist of the imaginary at the Centre d’études pour l’actuel et le quotidien – CEAQ, Université Paris Descartes (Center for Current and Everyday Studies at Paris Descartes University). In his view, architecture is an act of aggregation designed to put the world in order: in this sense, he is interested in the political fictions mobilized to equip our thinking and, in this case, to build a “ togetherness ”. Follow his words and discover animality understood as community.

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Björn Geldhof

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Culture as a weapon

In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.  

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Article

The potential of the night

Once a sanctuary for dreams and imagination, nighttime has now been relegated to the mere role of a utilitarian prelude to daytime. Nocturnal realms possess an alchemical power capable of transfiguring our perceptions. However, when viewed through the lens of urban uses, the night also exacerbates inequalities and raises questions about the possibility of achieving an urban night that is accessible to everyone. Exploring the range of possibilities associated with the night reveals it as a space-time where complex interactions are woven that could be revitalized through a chronotopic and inclusive architecture.

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Article

Educating Citizen Architects: for a meaningful architecture

Andrew Freear runs the Rural Studio program at Auburn School of Architecture (USA). He believes that schools of architecture have an ethical responsibility to train citizen architects who are locally committed to concrete projects and experientially connected to contexts and places. To design an inclusive city, the Studio adopts an experimental field approach, combining analysis of the territory’s endemic problems, understanding of residents’ needs and new construction techniques. Read the full interview published in STREAM 05!

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Article

Using AI to tell history — podcast transcription

Read our discussion on the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts.

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