Representing the Invisible City

  • Publish On 7 October 2021
  • Larissa Fassler

The trend towards smart cities reintroduces a functionalist vision of the city, generating ever-increasing amounts of data. But how can the parts of urbanity that cannot be reduced to quantified data to be optimized be considered? Larissa Fassler seeks to make visible what forms the urban experience through sensitive mapping that reveals an overlooked city.

Impressions of the Ephemeral

My creative process consists in first selecting a site, then in walking along it and loitering there for many months, following Georges Perec’s method in An Attempt at Exhausting a Place in Paris. I generally choose sites of high social tension, such as Gare du Nord or Place de la Concorde, which leads me to abandoning any preconceived ideas I may have of the place. I prefer the sites to give me their own account of what they are about and therefore simply map how space influences how it is used by those who inhabit it. I capture this account through my body, through my emotions, using my steps as a measuring device, and noting down the micro-events I perceive: an attitude, a smell, a colored garment. I seek to make visible what forms the experience of a city in that way, and find myself composing with a toolbox including instruments from scientific research and architecture, data collection, and cartography, to collect the ephemeral and the unremarkable, to ensure that they leave a mark.

Representing All Events

I became more aware of the ways in which the present is influenced by history in Berlin, where the past is almost layered on the surface. My work superimposes the layer of historic events and major urban tensions—the marks of the Second World War, the Airbnb rental boom, and the resulting housing crisis—on the layer of individual quotidian experiences. These invisible forces, however immense or diminutive, shape how we experience cities.

Remapping History

In New York City, Columbus Circus is flanked by two symbols of power: Time Warner Center, the world headquarters of the TV giant Time Warner corporation, and the Trump International Hotel and Tower, a luxury residential high-rise. At its center is a huge pedestal topped with a statue of Christopher Columbus, which sparked heated debate around its possible removal, given that the navigator embodies both the discovery of the Americas and the ensuing genocide of Native Americans. The issue raised by the 2017 controversy was that of the voice that we choose to give to history and how it tells our collective experiences. I therefore reframed this debate in a broader context, recounting the landmark court decisions that have been made in the United States since 1892—the year the statue was erected—up to today, thus revealing a chain of events, both progressive and reactionary, that have left their mark on the country and ultimately expressing an alternative vision of history.

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