Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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Lucile Viaud is a designer and “geoglass” artist. Working from salvaged materials, she crafts objects that carry within them the history of the territories from where the materials originate. Its snail or abalone shells, forgotten sands, and powdered seaweed are slices of fleeting time and result in objects that cannot be replicated.
The star of the stage of the recently concluded Design Week in Paris, plastic seems to have moved beyond the disdain it had been experiencing lately. Thanks to recycling, its environmental footprint is now better controlled, which has turned into a real selling point. But beyond the material itself, it is an entire production logic that should be “recycled” to extricate ourselves from the dogma of newness and disposability.
Victor De Bono is an architecture PhD student and civil engineer. He is working with 3D printing technology developed by the private company XtreeE for large-scale construction which saves material by placing it sparingly, “in the right place.”