The « office-form »

  • Publish On 25 January 2017
  • Clément Dirié
  • 2 minutes

Representing workspace, this figure shows real space and mental space simultaneously; a cerebral organization and its material translation. From the Renaissance to the 21st century, from the aesthetic documentation to ambiguous utopia, the following images are some incarnations of the «office-form.»

Clément Dirié is an art historian and art critic, curator and editor specialized in contemporary art.

Personal

When, five centuries after its conception, young contemporary artists transpose the three-dimensional studiolo of St. Jerome it is his rational organization – that of a gentleman”of the Renaissance – that arises at the time of the dematerialization of the work. The space itself – that of intellectual speculation – has become an open space where the office of the computer screen is the unsurpassable mark.

"Saint Jerome in His study", Antonio da Messina, c. 1475 © The National Gallery, London
"Studiolo (d'après Antonello da Messina, Saint-Jérôme dans son cabinet de travail, c.1475)", 2008 © Raphaël Zarka, Courtesy of Galerie Michel Rein

Collective

from individual offices to office collective, mimicking the labor organization of work and attention allocation and monitoring tasks, the “form-office” is successively became a place of stress, a mobile space or a community theater. in business districts, it is mostly interchangeable. for artists, it has become mobile. the liquid world as an office.

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